In theater and performance, some of the highlights include shows such as “Idiota” by Marlene Monteiro Freitas, “Fado Alexandrino”, by Nuno Cardoso/Teatro Nacional São João, “Quis Saber Quem Sou”, by Pedro Penim/Teatro Nacional D Maria II and “Postal Code”, by Marcos Barbosa.
As for dance, count on the performances of “MUDA”, by Clara Andermatt, “Atsumori”, by Catarina Miranda, and “Shechter / Wellenkamp / Naharin”, by Companhia Nacional de Bailado, among other proposals that will liven up the stages of Teatro Aveirense.
As for music, attention turns to Moonspell’s acoustic tour, entitled “Soombra”, as well as Pedro Mafama’s return to Aveiro. But there is still room for the Aveiro_Síntese biennial, dedicated to electroacoustic music, which will feature more than a dozen concerts.
The highlights of Teatro Aveirense also include the debut of a festival where art, politics and thought intersect, the “New Deal of Arts And Democracy”, held in partnership with Sarajevo Fest and curated by Bosnian director and playwright Haris Pasovic. Finally, we highlight the inauguration of a multimedia installation by Paulo Mendes that addresses the universe and history of mining prospecting in Portugal.
Tags: quarter Teatro Aveirense intense programming