“Electronic, Brazilian and urgent”, says Jaloo about third album

Jaloo will present the repertoire of BAD (2023), his third album, next Friday, 5/4, at Audio, in São Paulo. In addition to the new features, the repertoire of the show “Jaloo: 3 eras” will feature tracks by #1 (2015) and ft (pt.1) (2019).

The artist will be accompanied on stage by the band formed by George Costa (percussion, drums and programming), Bia Chantal (guitar and synthesizer) and Michele Cordeiro (guitar). MC Tha will make a special appearance in “Céu Azul” and “Onda”.

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This Thursday, the artist will present the remixes of MU540 to “I want to see you cum”, and then Cyberkillsduo formed by Rodrigo Oliveira and Gabriel Diniz, for the title track.

Over the course of ten songs, the composer and music producer weaves together different electronic references, such as phonk and hyperpop. “I make music on the computer. Of course I emulate organic instruments, but everything goes digital. However, even though it has electronic references, my base is songs, songs with a verse, chorus and bridge”, explains Jaloo. For her, “Ocitocina” is the track that best represents this proposal.

BAD celebrates the feminine and was guided by the perspective of pleasure and freedom. Created in the artist’s home studio, the album investigates the shadows that are part of the human being. How to make peace with these feelings? This is one of the reflections proposed by her.

“The general atmosphere of the album is electronic, Brazilian and urgent – ​​these words accompany each note and each phrase of the songs”, says the singer. In the following track by track, we delve into the universes that inhabit BAD:

“BAD”: The song that kicked everything off. From there, I navigated this issue of the shadows that inhabit us and making peace with them and all the imagery came together. Boldness in words, vocals and sound. It’s a song that my audience might be scared of right away, but everything was well planned from the beginning (laughs).

“He can”: A song full of love and sex, and it has this open feel of having a relationship and still falling in love intensely. The sound is Brazilian Latin, but also ethereal and dark.

“I want to see you cum”: It’s a song about one of the hardest days of my life. I went to a place I love and met someone there after two years of breaking up. Seeing him happy and full, giving love to others, and I, surrounded by friends, swore I could handle everything. I didn’t, but even with all the sadness of the day I saw it, it helped me bury the body of a relationship that ended long-distance in the middle of a pandemic. After what happened, the days only got better and with that I decided to talk about the situation in music and she was born all sunny dancing – and hot.

“For what love”: A naughty and sad song, just like me (laughs). It’s disengagement on somewhat strange levels, it’s about not getting involved, but getting involved. A mea culpa in the form of forró. Forró this feat, of course, in my peculiar way.

“Everything will calm down”: Talk about the way I wanted them to break up with me. Then I decided to make music, where the lyrical self is my ex, breaking up with me, simple as that. It’s kind of therapeutic, but fun and full of life.

“Ah!”: It talks about those days when we are very horny and scroll through our cell phone feed looking for someone to share it all with. The production of this one is very crazy and simple, it has very few elements.

“Phonk me”: A song about orgasm. And to dance a lot celebrating this, there are three languages ​​in the composition and a strange melancholy towards the end.

“Profane”: It tells about the contours of a relationship, how everything changes, so much so that we see ourselves more in the other than in ourselves. It talks about the act of forgetting or realizing the lack of self, where we transform into something new. The production is very reminiscent of the 1980s and has a love ballad tone.

“Oxytocin”: Someone who, for not having had much love in childhood, makes up for it by loving too much. Even though she is cold in most relationships, she loves touches, smells and affection. It’s about loving being away from the spotlight, it’s about the pandemic. It’s pure nostalgia and melancholy.

“The truth is that the city is going to kill me”: Sincerity at stratospheric levels. It’s very clear, it’s about the big city swallowing you on several levels. About there being no memory. It’s about addiction and harmful behavior, it’s apocalyptic and camp.

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